One For the Money (2012) – ★★☆☆☆

Katherine Heigl doesn't know how she ended up in this movie either.
Katherine Heigl doesn’t know how she ended up in this movie either.
One For the Money is a disappointingly dull adaptation of the wildly funny, wildly popular Stephanie Plum series penned by author Janet Evanovich—the 20th in Evanovich’s series is due out in November of 2013—that somehow manages to sap all the fun out of the plucky heroine.

One For the Money sticks to the “script,” for the most part, with few alterations, and follows Evanovich’s heroine as she turns to bounty hunting to make ends meet. The problem for Stephanie is she’s not very good at the job and she’s just been assigned to bring in a former cop lover, Joe Morelli.

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Cinderella/신데렐라 (2006) – ★★☆☆☆

Cinderella is a yet another dark look into the South Korean psyche.
Yoon-hee makes Joan Crawford look like a good mother.
The South Korean obsession with beauty, perfection, plastic surgery and poor parental figures is on full display in this somewhat uneven horror film that draws very loosely from the famous fairytale of the same name (and I do mean loosely). Cinderella is a yet another dark look into the South Korean psyche.

The movie deals with a teen girl named Hyeon-su, and several of her friends, all but one who have had plastic surgery performed by Hyeon-su’s talented surgeon mother. The girls who have had the surgery are haunted by a ghost girl in a blue dress who wants her face back.

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The Evil Twin/전설의 고향 (2007) – ★★★☆☆

Two sisters, one mysterious bracelet, and a rapidly growing body count.
Two sisters, one mysterious bracelet, and a rapidly growing body count.
The Evil Twin is another in a long line of stylish Korean horror films that touches on familiar territory, such as relationships between sisters, jealousy, good and evil, doubles, and guilt, though maybe a tad less successfully than its better-known predecessor, A Tale of Two Sisters.

The Evil Twin employs a non-linear timeline as it jumps from “present day” to flashbacks of the protagonist So-yeon’s childhood and back again, and also follows multiple characters as the storyline—and the central mystery—unfolds.

Nothing in The Evil Twin is quite as it seems. One moment, So-yeon is docile and kind; the next moment she’s wearing a knowing smirk that hints at something dark just beyond the surface. And what exactly is So-yeon’s mother keeping from her?

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